![]() The only item used between mic and recorder has been a hardware compressor to gently control peaks. You have control over levels and dynamics.įor what it's worth, I have been recording voice and mixing for the last 51 years, 25 of them analogue and 26 digital. ![]() However, recording voice such as talking books and narration in a controlled environment is a different story. John, there is nothing wrong with 32 bit float, especially if you are recording in an unpredictable environment where sudden loud audio cannot be controlled. That is down to mic placement and the use of a proper pop shield, and by that I mean not a foam one. Really hope I can get back to work in my preferred editor soon, so I reiterate my request that 32-bit float recording be added to Resolve/Fairlight.Ĭheers y'all, hope everyone at BlackMagic is doing well.Ĭharles Bennett wrote:Scot, 32 bit float will not cure plosives. I've been moving back and forth between Reaper & Audition since first posting this thread, but the interface on those programs is simply not as good as Fairlight's. I just came to request the feature, and I checked back today to see if anyone from BlackMagic had responded further did not expect two trolls to show up and tell me I'd requested the wrong feature. Yes, walking back and forth between my booth and computer hundreds of times over the course of a month added days to my last audiobook's production time.Īnyway. If you'd like an explanation, I can give one, but if you're just here to cast doubt I'm not really interested in engaging. Most people, when they don't understand a given scenario, lead with questions. It would seem we have different clients, workflows, and deliverables. I'm at a loss to imagine how doing so can add days to the work. Jim Simon wrote:Recording to hardware is my preferred approach. why did you do that? Do you tell all the people who request features that they're wrong to want those features, or just the people who want features you don't need? ![]() You don't want the feature, that's fine, but what you've done here is. Just because Audition and Reaper can do the thing doesn't mean I suddenly prefer their interface, so I'm on BlackMagic's feature requests forum making a feature request. If Fairlight wants to be what BlackMagic says it is, the lack of 32-bit float recording is an oversight. I am a working professional, who uses a professional format, and am requesting that my preferred editor support said format. Fairlight is marketed as a full-featured professional digital audio workstation. If Fairlight isn't a DAW, the person writing copy for BlackMagic does not know that. Fairlight is the only digital audio workstation software with a modern, super low latency audio engine capable of handling massive numbers of tracks, advanced bussing to simplify mixing, easy channel mapping options and multi format mastering in the same project. I've searched the manual and the forums, and I haven't seen anyone else post about recording bit rates in Resolve (there was a topic on editing them, a feature which came around sometime last year), so I thought I'd ask: can we get 32-bit float audio recording in Resolve / Fairlight?įairlight Product Page wrote:You get dozens of professional tools for recording, editing, mixing, dialog replacement, sound clean up and repair, equalization, dynamics processing, and mastering soundtracks in all standard formats from stereo and surround sound up to the latest immersive 3D audio formats!. The Audio MIDI interface on my Mac is set to 32-bit float, so I'm fairly certain Resolve is making the switch from 32-bit float signal to 24-bit integer file, which means I may have to switch editors, which I am loath to do, bc Resolve is great. Now I'm using the MixPre as an audio interface & patching the inputs directly into Resolve, but I'm seeing the audio files it records are only 24-bit, which means my audio sometimes clips and is unrecoverable. But I've found that back-and-forth workflow between production and editing to be kludgy and slow, sometimes adding hours or days to production, so I switched it up a bit. ![]() Until recently, I'd been recording chapters in 32-bit float on the SD card in my MixPre 3 II, importing them into Resolve, and editing them there. I've been doing all of my editing in Da Vinci Resolve, because it's the editor in which I work fastest. I'm a voice actor, specializing in audiobooks.
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